April 3, 2021

Heavy Rotation: Paul Simon – Self Titled

By Christmas 1969, Paul Simon and Art Garfunkel were tired. Tired of touring, tired of filming a TV special, tired of the grind that recording Bridge Over Troubled Water had become, but mostly, they were tired of each other. Simon felt the partnership was over. So, he did what anyone does after a breakup; he took time out to reassess.
April 16, 2021

The Human Touch: Curated Record Clubs are Here

The new look of record clubs in 2021 is all about human experience, taste and curation, and Los Angeles slow-music club In Sheep’s Clothing is the first to put a face on it. A modern, organic twist on traditional record clubs of the ‘70s and ‘80s, the ISC Record Club offers hand-picked LP deliveries to your door every month.
May 4, 2021

DJ Shadow: Endtroducing – 25th Anniversary Sample Mix

Cited as one of the best records of the nineties by most major music publications and included in Time Magazine’s list of greatest albums of all time, one of the keys to the resounding impact of DJ Shadow’s Entroducing can be found in the title of one of its less substantial cuts, a 43-second interlude entitled “Why Hip Hop Sucks in ‘96”. It kind of did.
May 7, 2021

Heavy Rotation: Boards of Canada – Music has the Right to Children

Triggering an emotion may be easier with a melody than rhythm, according to brothers Mike Sandison and Marcus Eoin of Boards of Canada, but the faded patina of melancholy saturating the pair’s 1998 debut studio album Music Has The Right To Children, is as apparent in its tempo as its theme.